Title: 龍に鬼 Dragon and Demon. Ed. 51/100.
Series: N/A.
Artist: Paul Binnie (1967-Present).
Signed, Sealed & Dated: Title cartouche to upper right of image - 龍に鬼. Beneath, numbered edition (51/100) inked in red. Binnie’s kanji signature present to the left of title cartouche. To bottom left corner of image lies, in white, Binnie’s “Bin” seal together with date, in seal script, “Heisei ju nen” beneath. Published 1997.
Medium: Woodblock Print.
Paper Size: H: 42.60 cm x W: 29.90cm.
Condition: Shipped Framed (High quality grained grey/brown frame by specialists “The Framing Workshop”, Bath, UK, measuring: H: 71.00cm x W: 57.50cm). Print in extremely fine condition.
Notes: 龍に鬼 Dragon and Demon’s success set the foundation as an early predecessor for Binnie’s work on his 江戸墨百色 A Hundred Shades of Ink of Edo series which commenced later in 2004. Unlike the tattoos inspired by ukiyo-e masters in 江戸墨百色 A Hundred Shades of Ink of Edo however, here the actual tattoo in Binnie’s design was the actual one inked on the sitting model. A fantastic image which presents wonderfully against the contrast of the stark black background.
Binnie Catalogue. [Online]. Binnie Catalogue. Available from: https://binniecatalogue.com. [Accessed: 24 November 2019].
Brown, K.H., Griffith, P., Akama Ryō & Ing, E.van den. (2007) Paul Binnie: A Dialogue with the Past: The First 100 Japanese Prints. Chicago, Art Media Resources.
Title: 龍に鬼 Dragon and Demon. Ed. 51/100.
Series: N/A.
Artist: Paul Binnie (1967-Present).
Signed, Sealed & Dated: Title cartouche to upper right of image - 龍に鬼. Beneath, numbered edition (51/100) inked in red. Binnie’s kanji signature present to the left of title cartouche. To bottom left corner of image lies, in white, Binnie’s “Bin” seal together with date, in seal script, “Heisei ju nen” beneath. Published 1997.
Medium: Woodblock Print.
Paper Size: H: 42.60 cm x W: 29.90cm.
Condition: Shipped Framed (High quality grained grey/brown frame by specialists “The Framing Workshop”, Bath, UK, measuring: H: 71.00cm x W: 57.50cm). Print in extremely fine condition.
Notes: 龍に鬼 Dragon and Demon’s success set the foundation as an early predecessor for Binnie’s work on his 江戸墨百色 A Hundred Shades of Ink of Edo series which commenced later in 2004. Unlike the tattoos inspired by ukiyo-e masters in 江戸墨百色 A Hundred Shades of Ink of Edo however, here the actual tattoo in Binnie’s design was the actual one inked on the sitting model. A fantastic image which presents wonderfully against the contrast of the stark black background.
Binnie Catalogue. [Online]. Binnie Catalogue. Available from: https://binniecatalogue.com. [Accessed: 24 November 2019].
Brown, K.H., Griffith, P., Akama Ryō & Ing, E.van den. (2007) Paul Binnie: A Dialogue with the Past: The First 100 Japanese Prints. Chicago, Art Media Resources.
